// ID: LOG_0002 STATUS: RECORDED DATE: 2026.02.08

Manamu - Ryaw

[ interview // by alta/nova (translated from japanese) ]

Manamu - Ryaw

I perceive function and beauty as opposing forces.

/// PART I: ORIGINS & IDENTITY
> ALTA_SYSTEM: To begin, could you introduce yourself briefly?


My name is Manamu, and I am the designer behind RYAW.


> ALTA_SYSTEM: When did you start RYAW, and what motivated you to launch your own label?

The first time I created garments under the name RYAW was in 2014.

In the beginning, the label mainly focused on translating graphic design into clothing through printing techniques. Over time, my desire shifted from simply placing visuals onto garments to exploring clothing as a medium capable of carrying ideas, emotions, and questions about identity.

*** DATA BUFFERING ***
/// PART II: CULTURAL PSYCHE
> ALTA_SYSTEM: What are your main artistic inspirations today?


Recently, I’ve been deeply inspired by the spiritual essence and cultural archetypes found in Japan. Rather than referencing something external or trendy, I am more interested in how the Japanese psyche, its ambiguity, restraint, and reverence for imperfection can inform the way garments behave and communicate.

> ALTA_SYSTEM: If you had to describe RYAW in three words, which ones would you choose?

Unreal — Boundary — Curiosity

FIG. 02 // CONTEXT
/// PART III: CURRENT TRAJECTORY & future vision
> ALTA_SYSTEM: Could you tell us more about your latest collection and its core ideas?

I am currently working on the 26AW collection.

This season represents a turning point for the brand, an attempt to rediscover the emotions and intentions that had become obscured as RYAW continued to grow. Through this process, I found a clearer sense of what the brand should be.

Some items juxtapose Japanese cultural sensibilities with the current state of our craft, allowing clothing to function as both reflection and commentary.

> ALTA_SYSTEM: What upcoming projects or directions are you excited about for the brand?


I am focused on expanding my own perspective. Clothing will continue to serve as a vessel for our thoughts and impulses, but I want to integrate cultural layers more consciously so that garments not only exist as objects, but as experiences shaped by context, history, and intention.

/// PART IV: THEMATIC PHILOSOPHY
> ALTA_SYSTEM: You often use technical garments or functional elements. How do you see the dialogue between function and aesthetics in your work?

I perceive function and beauty as opposing forces.

Function enriches the physical aspects of daily life, while beauty nurtures the emotional and spiritual realm. Function reveals its purpose only when it is fully executed, whereas beauty exists in a broader, more subjective space, its significance shifts from person to person.

For us, function strives toward perfection, while beauty is the presence that accepts and dignifies imperfection.

> ALTA_SYSTEM: What role do texture and material play when you’re developing a piece?


They externalize what lies within. Materials and textures become unconscious extensions of inner feelings, they manifest the emotional layer of the garment before words can.

FIG. 01 // MATERIAL